After all the fuss and bother – lost emails, language barriers, and impossibility to communicate – the spirit of art and urban sketching prevailed. “Matite in Viaggio” exhibition opened in Venice Itally yesterday, October 10, 2014. Five of my drawings are showing there!
Here they are in the covered exhibition table – photo on the left. And here they are in the exhibition catalog along with my b&w photo and what seems to be a blurb of text – photo on the right. I wish I remembered what I wrote, and can only hope it is not too embarrassing.
And I almost missed this whole excitement because I could not go, which sucked. But a friend was there and took these photos ( photos © NotNot Tana Luc). Thanks, Luc!!
I have not drawn a graphite portrait in some time, and so was very pleased when a far away friend wanted a portrait of his sister for her birthday. He wanted me to draw it so he would include it in a movie he was making as a birthday present for her. What a thoughtful thing to do!
Anyway, here’s the portrait
I forgot how pleasant it is draw in graphite and how relaxing – just values, no color.
The bottom line – I want a brother like that!!
August came and went in a single minute it seems. It was even more busy because I was invited and participated in The Sketchpack Project 2014. My regular readers may remember The Sketchpack 2013 from last year. This project is organized and run by my good friend Di Metcalf of Artsource from Capetown, South Africa. Artsource sends out concertina sketchpacks, and participants make a sketch every day for the month of August. Completed sketchpacks go back to Capetown and take part in the exhibition.
These are my 31 (more or less) drawings drawn every day or nearly every day during August 2014. This year I couldn’t be bothered with having a single theme or a discipline to stick to it. So these are a stream of consciousness drawings, whatever happened in my life, that I drew. My friend tragically passed away – I drew his portrait. Charlie the dog came to visit – I drew Charlie. I worked on compositions for paintings and drew thumbnails. Went for walks and drew what I saw. Broke dishes and drew the shards. A fantastic practice – I highly recommend it to anyone.
See drawings here – http://alexzonisart.com/drawings
A month ago, on June 7-8, we Urban Sketchers Chicago had our first ever Chicago Sketch Seminar 2014. After a year of planning (and fretting!) it was finally here and turned out a success. I managed the planning process for this event and was privileged to lead the finest team of planners one can wish for.
Dozens of sketchers from Chicago, from around the country (Cincinnati, Portland OR, San Francisco, Indiana, Wisconsin, Michigan, etc), even from Canada came to Chicago and sketched together. They took 8 sketching workshops, I taught a workshop on color. They participated in a number of sketching activities that showed off our beautiful and oh-so-sketchable city. They had one Dinner, Drink and Draw event and it was good!
The Seminar came and went in a flash and left some wonderful memories and lots of new friends. My friend Kordt Larsen produced a short documentary film on the Chicago Sketch Seminar 2014 – shown in the beginning of this post. (Here’s a link to it – https://vimeo.com/100442711)
For more photos and details see USk Chicago Sketch Seminar blog where our Correspondent Andrew Banks published 3 part article on the event:
Today my blog turns 4 years old! Who could have thought?! To celebrate this occasion we, the blog and I, got ourselves a present – a brand new URL.
Welcome to alexandrazonis.com!
And I also want to use this post to share 6 more sketches from Sketchpack project.
I am way overdue posting new sketches. I’ve been very busy painting and did not have much time for sketching or posting sketches. Now is a good time to catch up.
In December Urban Sketchers Chicago went to investigate the new Logan Art Center in Hyde Park. It turned out to be a wonderful building with spectacular views on Hyde Park, University of Chicago and even the lake from its glassed terraces on 8th and 9th floors. On the other hand the Center is so new it set my teeth on edge. It smells fresh cement dust.
When I called to check if Urban Sketchers can come and draw there, the event manager recommended the Penthouse views from 8th floor. Then he added that to rent the Penthouse for a group use would cost us $1000. That was pretty funny, and after we chuckled over it, he suggested that we just come and sketch in the Penthouse if it is available, and leave when someone arrives to use it. This strategy worked well. The brick gabled building in the sketch is a view down from the Penthouse. After an hour of drawing some people indeed arrived to set up a show, so we went down to a cafe on the first floor.
The cafe offered a moody and pleasant view on Midway Plaisance – all gray and misty in December afternoon. I’ve never sketched a landscape before and cars are still an unfamiliar business to me. I decided to be brave and try new things. The cars came out a bit wonky and cartoonish I think, but overall effect is kinda nice.
Here’s us in the Logan Art Center cafe with Midway Plaisance behind us:
Skansen is an amazing open air museum. The sheer size of it is mind-blowing – 75 acres – one of the largest in the world. Just the entrance itself is so beautiful that I had to stop and take a breath. And sketch. The small figure with a backpack was meant to be Lou, my husband, added later for scale.
Inside the experience just gets better and better. A small 19th century Swedish town is situated on a hill. Shops, a post office, an inn, a church (kyrka), a couple of farms with goats and pigs, businesses, a tobacco-growing patch, all complete with shopkeepers and artisans in traditional dress doing the work, showing skills, talking about history and answering questions in multiple languages.
The people working there really impressed me – they looked so authentic, their faces (if not modern dental work) really belonged to the time. So I asked a young woman combing wool (in the sketch above) whether they were actors type casted. She explained to me that people working these jobs are not actors, but are historians and researchers working for the museum. Their duties also include educating the public by doing and demonstrating.
This Stockholm adventure was turning out pretty awesome, not withstanding a hotel room the size of a matchbox. But it reached a new height on August 19 when I met with Nina Johansson to sketch in Gamla Stan – the Old Town.
This is Nina in the sketch! We found this little passageway where we could reach the opposite walls if we extended our arms to the sides. We hoped we would not be disturbed by hordes of tourists. We were wrong. Apparently this was a very important alley and FOUR tours traipsed over us in half an hour we spent there. They were VERY excited to find us there and took numerous photos of us. Two of the tours were English speaking, one Russian, and one – unfamiliar language.
One of the tour guides shared that she lives here in Gamla Stan. The basement of her building is very old indeed – 12th century. Her actual building is much more modern – 1600’s. Just imagine! From another tour guide I learned that this alley – Skeppar Olofs – was already built in 1587, that’s the first known mention of it in the records. It was named after captain Olof who was an important figure in Swedish Navy.
The reason Nina and I only had a half an hour in Skeppar Olofs Grand was that we were meeting Ed Harker at Stortorget – the Big Square. Ed is a sketcher from Bath, England. It turned to be a truly international sketch-meet. We had a great time sitting in a cafe and sketching Stortorget. My view was Swedish Academy and Nobel Museum – the very place where they decide the Nobel prizes every year since 1901.
Stockholm is one of the very few European cities that did not get bombed into oblivion during WWII. The old buildings and stone paved streets are still there, intact for centuries, they can take you back in time like a time machine. Many date back to 1600’s, with some going as far back as 12th century.
I sketched this sitting in a cafe on the intersection of three streets, Norra Bankogrand is the street in the sketch. It leads to the piers, there between the buildings, and Baltic sea.
Stockholm has a different palette than any other city I’ve been to. It is all painted in natural earth colors. I heard this is a city ordinance of some sort. So I found myself using a lot of yellow ochre, sienna and umber. And my favorite – Palette Gray.
I was sitting in this cafe with my coffee and my sketchbook, working on my drawing, and somehow this made people think that I was local. I was asked directions, lol. In one case a family talking to me happened to be from Chicago, and we had a little laugh about it. Amazingly, I did know – this once – how to get where they wanted to go.
I have just come back! Stockholm is amazing!
But let me start from the beginning. About a year ago The Husband was invited to present at Stockholm University. The topic – Empathy – was his specialty, and of course he said yes. I too said “But of course!” meaning that I was going too, and surprised him only a little.
Now, a year later, we are just back having spent 11 days in Stockholm. And what a tour that was! I will try to tell the story with my sketches.
SAS airline surprised us by being unusually on time! In the last 10 years I don’t remember anything starting or ending at the promised time where air travel was concerned! The second surprise was that the food was almost edible. Still, there were some peculiarities – strange raggedy curtains between classes (we of course flew the “chopped liver” class.)
This is Södertörn högskola – South Stockholm University – where The Husband was a keynote speaker. This giant amazing bazalt rock is the centerpiece of the campus. The conference “What is Empathy and what do we need it for?” was multidisciplinary, which means that, while it was overrun by philosophers, there were also psychiatrists, psychologists, psychoanalysts, people with the whole alphabet after their names and one artist.
The title of my husband’s talk was “A Heideggerian Approach to Empathy: Befindlichkeit is not Enough.” You can read it again, I’ll wait. But it would not make any more sense than the first time. The talk however was amusing and very entertaining, he made me laugh. I skipped the rest of the presentations (they spent three days convincing each other that empathy is important and we ought to have more of it.) Instead I went sketching, which was the whole point of going to Stockholm.
I have more sketches, but as I am learning any sketching expedition comes with after the show part: sketches have to be tagged, dated, locations cleared, text added where needed, pages cleaned, color corrected or added. Then all need to be scanned and filed. So I will be showing more sketches of Stockholm in subsequent posts until I run out sketches or out of patience, whichever comes first.