2014 is quickly wrapping up. It is a dark early evening, too dark to paint, so I am blogging instead. Facebook and WordPress are putting out these computer generated annual content reports, but they are much too silly, or artificial is possibly a better description. So I thought I will tell you what really happened this year :).
I painted 6 paintings:
Ok, the last one – working title Turning Time – is still a work in progress!
E is for Empathy will appear on a cover of my husband’s book A Rumor of Empathy, Resistance, Narrartive, Recovery in Psychoanalysis and Psychotherapy – Lou Agosta, PhD. Interesting book, check it out!
Adagio for Three Strings has won a Most Innovative award in National Oil and Acrylic Painters Society (NOAPS) Fall Show. Much too excited about this!
I had work in two shows in 2014:
– Matite in Viaggio, Centro Candiani, Venice Italy – October 2014
– National Oil and Acrylic Painters Society (NOAPS) – December 2014
I participated in my second Sketchpack project
It runs from Cape Town South Africa. Every day for the month of August I drew a small drawing. My 31 drawings traveled to Cape Town SA to participate in a show.
I have started teaching oil painting
and had a number of
victims students study with me in my studio as well as online via Skype, gotta love technology!
Urban Sketchers Chicago
Urban Sketchers Chicago, a sketching group I started in 2012, is going strong with its monthly sketch crawls, active Facebook, blog and other online presence. The group now has nearly 350 sketchers and a wonderful unique spirit.
Chicago Sketch Seminar 2014 took place in June 2014 and was a great success. I was privileged to lead a group amazing volunteers and together we created this wonderful event. About 70 sketchers from all over USA and even one international sketcher attended and participated in 8 sketching workshops and 3 sketching activities. And one Dinner, Drinks and Drawing event!
If you are still reading this, I really appreciate!
I hope you had nice holidays so far and wishing you Happy Healthy and Artful New Year!!
A month ago, on June 7-8, we Urban Sketchers Chicago had our first ever Chicago Sketch Seminar 2014. After a year of planning (and fretting!) it was finally here and turned out a success. I managed the planning process for this event and was privileged to lead the finest team of planners one can wish for.
Dozens of sketchers from Chicago, from around the country (Cincinnati, Portland OR, San Francisco, Indiana, Wisconsin, Michigan, etc), even from Canada came to Chicago and sketched together. They took 8 sketching workshops, I taught a workshop on color. They participated in a number of sketching activities that showed off our beautiful and oh-so-sketchable city. They had one Dinner, Drink and Draw event and it was good!
The Seminar came and went in a flash and left some wonderful memories and lots of new friends. My friend Kordt Larsen produced a short documentary film on the Chicago Sketch Seminar 2014 – shown in the beginning of this post. (Here’s a link to it – https://vimeo.com/100442711)
For more photos and details see USk Chicago Sketch Seminar blog where our Correspondent Andrew Banks published 3 part article on the event:
I am way overdue posting new sketches. I’ve been very busy painting and did not have much time for sketching or posting sketches. Now is a good time to catch up.
In December Urban Sketchers Chicago went to investigate the new Logan Art Center in Hyde Park. It turned out to be a wonderful building with spectacular views on Hyde Park, University of Chicago and even the lake from its glassed terraces on 8th and 9th floors. On the other hand the Center is so new it set my teeth on edge. It smells fresh cement dust.
When I called to check if Urban Sketchers can come and draw there, the event manager recommended the Penthouse views from 8th floor. Then he added that to rent the Penthouse for a group use would cost us $1000. That was pretty funny, and after we chuckled over it, he suggested that we just come and sketch in the Penthouse if it is available, and leave when someone arrives to use it. This strategy worked well. The brick gabled building in the sketch is a view down from the Penthouse. After an hour of drawing some people indeed arrived to set up a show, so we went down to a cafe on the first floor.
The cafe offered a moody and pleasant view on Midway Plaisance – all gray and misty in December afternoon. I’ve never sketched a landscape before and cars are still an unfamiliar business to me. I decided to be brave and try new things. The cars came out a bit wonky and cartoonish I think, but overall effect is kinda nice.
Here’s us in the Logan Art Center cafe with Midway Plaisance behind us:
Skansen is an amazing open air museum. The sheer size of it is mind-blowing – 75 acres – one of the largest in the world. Just the entrance itself is so beautiful that I had to stop and take a breath. And sketch. The small figure with a backpack was meant to be Lou, my husband, added later for scale.
Inside the experience just gets better and better. A small 19th century Swedish town is situated on a hill. Shops, a post office, an inn, a church (kyrka), a couple of farms with goats and pigs, businesses, a tobacco-growing patch, all complete with shopkeepers and artisans in traditional dress doing the work, showing skills, talking about history and answering questions in multiple languages.
The people working there really impressed me – they looked so authentic, their faces (if not modern dental work) really belonged to the time. So I asked a young woman combing wool (in the sketch above) whether they were actors type casted. She explained to me that people working these jobs are not actors, but are historians and researchers working for the museum. Their duties also include educating the public by doing and demonstrating.
This Stockholm adventure was turning out pretty awesome, not withstanding a hotel room the size of a matchbox. But it reached a new height on August 19 when I met with Nina Johansson to sketch in Gamla Stan – the Old Town.
This is Nina in the sketch! We found this little passageway where we could reach the opposite walls if we extended our arms to the sides. We hoped we would not be disturbed by hordes of tourists. We were wrong. Apparently this was a very important alley and FOUR tours traipsed over us in half an hour we spent there. They were VERY excited to find us there and took numerous photos of us. Two of the tours were English speaking, one Russian, and one – unfamiliar language.
One of the tour guides shared that she lives here in Gamla Stan. The basement of her building is very old indeed – 12th century. Her actual building is much more modern – 1600’s. Just imagine! From another tour guide I learned that this alley – Skeppar Olofs – was already built in 1587, that’s the first known mention of it in the records. It was named after captain Olof who was an important figure in Swedish Navy.
The reason Nina and I only had a half an hour in Skeppar Olofs Grand was that we were meeting Ed Harker at Stortorget – the Big Square. Ed is a sketcher from Bath, England. It turned to be a truly international sketch-meet. We had a great time sitting in a cafe and sketching Stortorget. My view was Swedish Academy and Nobel Museum – the very place where they decide the Nobel prizes every year since 1901.
Stockholm is one of the very few European cities that did not get bombed into oblivion during WWII. The old buildings and stone paved streets are still there, intact for centuries, they can take you back in time like a time machine. Many date back to 1600’s, with some going as far back as 12th century.
I sketched this sitting in a cafe on the intersection of three streets, Norra Bankogrand is the street in the sketch. It leads to the piers, there between the buildings, and Baltic sea.
Stockholm has a different palette than any other city I’ve been to. It is all painted in natural earth colors. I heard this is a city ordinance of some sort. So I found myself using a lot of yellow ochre, sienna and umber. And my favorite – Palette Gray.
I was sitting in this cafe with my coffee and my sketchbook, working on my drawing, and somehow this made people think that I was local. I was asked directions, lol. In one case a family talking to me happened to be from Chicago, and we had a little laugh about it. Amazingly, I did know – this once – how to get where they wanted to go.
I have just come back! Stockholm is amazing!
But let me start from the beginning. About a year ago The Husband was invited to present at Stockholm University. The topic – Empathy – was his specialty, and of course he said yes. I too said “But of course!” meaning that I was going too, and surprised him only a little.
Now, a year later, we are just back having spent 11 days in Stockholm. And what a tour that was! I will try to tell the story with my sketches.
SAS airline surprised us by being unusually on time! In the last 10 years I don’t remember anything starting or ending at the promised time where air travel was concerned! The second surprise was that the food was almost edible. Still, there were some peculiarities – strange raggedy curtains between classes (we of course flew the “chopped liver” class.)
This is Södertörn högskola – South Stockholm University – where The Husband was a keynote speaker. This giant amazing bazalt rock is the centerpiece of the campus. The conference “What is Empathy and what do we need it for?” was multidisciplinary, which means that, while it was overrun by philosophers, there were also psychiatrists, psychologists, psychoanalysts, people with the whole alphabet after their names and one artist.
The title of my husband’s talk was “A Heideggerian Approach to Empathy: Befindlichkeit is not Enough.” You can read it again, I’ll wait. But it would not make any more sense than the first time. The talk however was amusing and very entertaining, he made me laugh. I skipped the rest of the presentations (they spent three days convincing each other that empathy is important and we ought to have more of it.) Instead I went sketching, which was the whole point of going to Stockholm.
I have more sketches, but as I am learning any sketching expedition comes with after the show part: sketches have to be tagged, dated, locations cleared, text added where needed, pages cleaned, color corrected or added. Then all need to be scanned and filed. So I will be showing more sketches of Stockholm in subsequent posts until I run out sketches or out of patience, whichever comes first.
It really is not as exciting as it sounds. Nice – yes, in summer. Interesting – sometimes. Exciting – not really.
I live in Edgewater, a neighborhood of Chicago. Our Chamber of Commerce came out with this brilliant line, and now you can see it on posters and flags everywhere. I see it all the time when I am out sketching. It gave me an idea of series of sketches – Living on the Edge. Here are a few:
Out of the Starbucks window, looking at the historic buildings on Bryn Mawr & Winthrop
The Secret Garden. In the gardens of the Pink Building. I live in the neighborhood for 18 years and have never been inside these gardens until last week. You have to know a resident to take you in.
The Church of Atonement, at the side entrance. A beautiful old church a block away from my house. Even has a table there to spread your sketchbook, pens and palette – heaven, really.
Another historic building – art deco this time – on Bryn Mawr and Winthrop, different corner. Also sketched out of Starbucks, ______________________it was too cold to be ______________________outside.
These are all done on location, Urban Sketchers style, as quickly as I can draw. Which is not very fast at all – one to one-and-a-half hours each.
Hope to show you more of my Chicago as I sketch it.