Memory Blocks III

Memory Blocks III

A new installment for my Memory Blocks series. This time it is with my mom’s portrait at the age of 5.

8″ x 8″ (20 x 20 cm) oil on gessobord panel. To bid on this painting click here.

I’ve found interesting articles about photorealism and hyperrealism on Wikipedia:
Photorealism
Hyperrealism.

While the articles are very informative, with lots of links, examples and images, they didn’t articulate clearly the difference between the two styles. Seeing that the terms are often used interchangeably I wanted to define the deference for myself. Here’s what I came up with:

The beginnings of Photorealism are placed at 1960 – 1970. It is a method of painting that uses a photograph as a reference and takes this reference literally. The painted image is extremely well defined and detailed. All information available about the subject is rendered in the painting. The rendering is tight and very accurate. Emotional processing and creating of a narrative are left to the viewer’s imagination.

It was clear from the articles above that Hyperrealism as a genre has originated in Photorealism at about 2000. In difference to its originating genre Hyperrealism takes the image to a surreal plain to some extent. The painter paints everything he or she sees to the maximum degree of accuracy that the skill and medium allows… and then the artist takes the image further, creating more clarity and definition than the reference had. For example, if some details were dimmed in a shadow or bleached in a strong light, the artist reinvents them and puts them in. The resulting image simulates a reality that did not exist and crosses into the territory of illusion.

16 Comments

  1. Deb Adams November 14, 2011

    Alex, there is nothing more than I could say than, “beautiful work as always!”
    Deb xx

  2. lindahalcombfineart November 14, 2011

    Thank you for sharing this information. I love the paintings in your blocks series. They are beautiful and clearly have a special meaning.

    • Alex Zonis November 14, 2011

      Thank you for reading this obscure info, Linda! I am curious about strange things like these, especially considering the type of painting I try to do. And then there is Trompe L’oeil, of course :). I may have to write about it next time… Glad you liked my blocks!

  3. Ganapathy Subramaniam November 14, 2011

    Very beautiful work. I love the Clock. just stunning! I can feel these blocks and the clock in my hands. .. and thanks for the nice little explanation of the terms!

    • Alex Zonis November 19, 2011

      Thank you, Ganapathy! I am glad I could make some sense of those terms. It can get confusing, it did for me. That clock was giving me trouble, it looked flat for a very long time. It was when I figured out the lost edges it finally came to life :).

  4. debra November 15, 2011

    Beautiful work Alex!! Are you doing The Sketchbook Project this year?

    • Alex Zonis November 19, 2011

      Thank you, Debra! No, I am not doing the Sketchbook Project this year, have too much to do with these new oil studies and trying to market my work. Are you doing SP2012?

  5. lesliepaints November 16, 2011

    Very interesting study on the realisms, Alex. I love your block series and they always have great choices in color, not to mention the spot on detail! Beautiful!

    • Alex Zonis November 19, 2011

      Leslie, it means a lot to me that you like this series. I keep thinking one of these days I’d give up details and paint broadly and loosely… That day is not here yet :). There are so many different directions of realism, these two I talked about are often confused with one another. I wanted to clarify it for myself and perhaps for those who are interested in nerdy stuff like that.

      • lesliepaints November 23, 2011

        I really don’t think it is nerdy at all! I never thought about the differences and found what you discovered totally interesting. Your work is incredible.

  6. Carol King November 18, 2011

    Interesting how you juxtaposed the watch with the blocks. Is time standing still for you with these memory blocks?

    I always like the mood of these paintings. Warm, nostalgic, maybe a bit sad. Beautiful work as always.

    • Alex Zonis November 19, 2011

      Interesting take on the clock, Carol. No, I have not thought of the “time standing still” for me, but now that you’ve said it – it makes perfect sense. I like it that you read something in my image that I did not consciously intend – that’s really good!

      The nostalgia and melancholy of the time bygone was intended, happy that it came through!

  7. asmalltowndad November 23, 2011

    Just wanted to say that I’m thankful for my blog friends, their talent, and all they give! Happy Thanksgiving Alex!

    • Alex Zonis November 24, 2011

      Thank you, Ryan! Same to you!

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