Posts Tagged: gold
Colombina
Colombina
6″x6″ (15×15 cm) – oil on aluminum panel
Colombina in Italian means “little dove.” She is a character in the Commedia dell’Arte, a mistress to Harlequin, a clever and funny maid-servant and a wife to Pierrot. She is often the only intelligent person on stage. Venetian carnival mask of the same name reflects heavy eye makeup play character Colombina wears on stage.
This little painting is the 5th in my series Phantasmagoria. I painted it in 6”x6” size as it was meant for Randy Higbee’s 6”Squared show in December 2015, but it never made it there. I had to travel and live overseas for 2 months to be with my family during my father’s illness and passing. The little half-finished Colombina sat on my easel and waited for me to return to her. She was a little trickster indeed, it took me some time to work out her intricacies, curlicues, ribbons and gold.
All That Glitters…
All That Glitters
6″x6″ (15×15 cm) – oil on aluminum panel
… isn’t Gold.
Of course this is the main idea behind the title and the painting.
Sometime when I am long gone, and my paintings would command exorbitant prices, and museums would be fighting for them (dreams are allowed 🙂 !!), then art historians will be scratching their heads about what did I mean by this image and coming up with their usual nonsense. To spare them this awful fate, I’ll explain :).
This is a Venetian carnival mask called Medico Della Peste, translated Plaque Doctor. Back then in medieval time they began to realize that medics needs some kind of protection when attending the sick, and a mask of this configuration was used cover a face. A scary thought! Centuries later it transformed into a carnival mask, if a little macabre.
The draped dark silk and upturned goblets hopefully add to the dark carnival mood. But there is more to this fabric, this is a blue scarf that I wore as a teenager back in Russia in Kishinev. God only knows how I still have it decades later and continents away, but I do. So when I wanted blue for color composition, I remembered it. Almost every painting I paint has a hidden meaning or a little joke that I keep for myself, for my private entertainment and chuckle. This blue scarf is a reference to my own self in a different time and a different world, when I knew frighteningly little and possibilities were so big.
All That Glitters is the 4th painting for my series Phantasmagoria.
The White Wave – all finished, framed and gone
This is my final parting shot of The White Wave painting. I am packing it to go to Mostly Glass gallery.
The White Wave
The White Wave
9″x12″ (23 x 30 cm) – oil on gessobord – commission
Here’s a new painting titled The White Wave. A couple of years ago, when I first painted crinkled paper, the complexity, the chaos and the lack of logic or reason of it has got to be too much, and I promised myself that I would not paint crinkled paper again unless I would be paid for doing it. HA! I broke my promise in less than 3 months, just to see if the first painting was not a fluke and if I can really paint wrinkled paper. I could 🙂.
The real thing happened in the beginning of this year. A gallery that I worked with some years ago suggested a solo show later this year, the theme being crinkled paper. I am working on a new collection of works for this show. The first two pieces of this collection the gallery has commissioned – that’s the right way to support art! The White Wave is the first piece of this new series.
As far as good news go, this is pretty much up there!
Plus Two Dollars
Plus Two Dollars
6″ x 6″ (15 x 15 cm) – oil on gessobord – SOLD
The second painting for the second show I am painting for. This one in California.
But let me tell you a story. I have this church down the block, I am sure many of you have heard of it by now. Every year they have a rummage sale, and every year I go to hunt for props, and every time I hunt I score. A winning proposition :).
This year I went again and found a basket-full of mismachted bone china, bent silver spoons, a large shell with an ocean sound inside, and a set of 16 prints by Toulouse-Lautrec. Every object was a dollar or two. The fun started at earnest when I went to pay for my loot. The nice elderly gentleman was a singularly wrong person to manage the cash box! He decided to do the sums in his head and kept making mistakes in my favor. By the time he had 9, I had 11 and corrected him… by the time he had 14, I had 16 and corrected him again. All the while he wanted to talk about Lautrec, American realism, painting in general, and modeling for life sessions. In the end he got 18. I no longer believed him and gave him 20 – God bless!! 🙂
Here I have for you the three cups from the rummage sale… Plus the two dollars difference in our sums.
QWERTY
QWERTY
8″ x 10″ (20 x 25 cm) – oil on gessobord – commission
Finished it today. At least signed it! Showed it to the client and she likes it! What a great thing! It is now drying, then will get oiled out and studied with great precision – I already see two spots that need some touching up, – then varnish and done.
This was probably the most challenging painting I ever attempted. Was even harder than the crinkled paper! Are you seeing all these ellipses? Those who are curious enough can count them and let me know.
The client asked me – How can you stand to let your pictures go? After all you put into them?
That’s a great question! I remember time when it was hard to part with artwork I made, but it changed. Some time around 2011 I started thinking of myself as a professional artist. This is what professionals do – we make artwork and we let it go into the world. That is if we are so lucky that the world wants to take our works.
And yet they never leave completely, do they, these sold paintings, commissioned images, pieces of our imagination? I may be working on a passage and it would be a slow going, and then I’d remember – I’ve done this in Fiddlesticks or in Waiting for Adam. I learned something invaluable in every painting. And then there’s another thing… I flew over France on my way to Israel a couple of months ago and I thought: one of my paintings is down there in Normandy. And I heard some news from Fresno CA the other day and thought: ah yes one of my paintings is there in Fresno – how about it…
So yes, I am happy to let them go. And to be paid for them too.
Giselle
Giselle
6″ x 6″ (15 x 15 cm) – oil on gessobord – commission
Just finished Giselle yesterday. The painting is commissioned in honor of this client’s mother who worked as a seamstress for a dance company. In my mind I painted it for all workers toiling behind the screen-stage-platform with no spot light on them, but never-the-less indispensable. Just have seen Oscars, at least in movie business makeup people, costume people, hair people get recognition. I don’t believe in theater they do.
I learned an interesting technique while working on Giselle – painting translucent fabric. Really neat! I did quite a bit of work on transparent stuff, reflective stuff before – yes! But never translucent stuff until now. Apparently you can just physically mix the hue from underneath and hue from above and it tricks the eye just enough for “willing suspension of disbelief”. But then you still have go after it with glazes or dry brush or both.
This painting also was under a self imposed deadline as I am holding tickets to go on my yearly trip to Israel to visit my family. The painting had to be finished at least 10 days before my departure to allow enough drying time to be able to varnish and ship it. Yikes! Now it better cooperates and gets dry and ready to varnish by March 7 or I am in trouble.
A Stitch in Time
A Stitch in Time
6″ x 6″ (15 x 15 cm) – oil on gessobord – commission
It took a lot longer than anticipated, but I finished it this year! This is a very important painting for me and I wanted to do it right and took my time. This is my first commission. And an international one at that.
With this year almost gone I see many of my artists friends doing a recap. I read them with great interest – people have accomplished great things, painted significant works, showed work in important places, taught numerous students, and thought up amazing innovations. I thought to myself I must do a year-end post as well.
So here it goes:
- In 2012 I painted 11 paintings and sold almost all of them. Got and painted my first commission!
- Made my sketching a serious practice, drawn numerous sketches, traveled to Stockholm and sketched there.
- Founded Urban Sketchers Chicago group as a part of Urban Sketchers global movement. The group is now 75 artists strong, meets monthly and has its own FB page and blog.
- Met and friended a great many artists around the world and learned a great deal.
- Began to understand and use social media marketing – it works, how amazing!
It was a great year – 2012. Here’s to a better one in 2013!